CIMB ARTOBER ART & SOUL 2024
25 - 27 OCTOBER 2024
G13 Gallery is thrilled to participate in CIMB Artober Art & Soul 2024. Join us at Booth 11 and 12, Hall 1, Malaysia International Trade and Exhibition Centre (MITEC), Kuala Lumpur, from 25 to 27 October 2024. Visit us to experience a captivating blend of contemporary art and sculpture, offering a unique glimpse into the creative visions of our artists.
Don’t miss this vibrant celebration of contemporary Malaysian art!
Silent Trophy
James Seet
165 x 98 x 66 cm
Ceramic and Scrap Metal
2024
Artist Statement
“Silent Trophy” is a powerful sculpture mourning the extinction of the Sumatran rhino in Malaysia. Made from scrap metal and featuring a gun aimed at the rhino’s head, it symbolizes human greed and disregard for life. The rhino’s ceramic head, glazed in crimson, evokes the bloodshed of its demise, while its rigid face stands as a haunting trophy of destruction. This artwork reflects on the loss of a species and calls for a reckoning, urging us to confront our role in the extinction and act to prevent further harm.
Dual Serenity, Peacocks at Dawn
Haziq Syawal
152 x 122 cm
Acrylic on Jute
2024
Artist Statement
Dual Serenity: Peacocks at Dawn illustrates the peaceful connection between a male and female peacock, symbolizing the harmonious balance found in a couple. The backdrop of layered colors, reminiscent of a dawn sky, provides a serene and abstracted landscape that enhances the sense of unity and calm. The male, standing tall and majestic, represents strength and protection, while the female, resting in quiet grace, reflects resilience and support.
Morning Blue
Chong Siew Ying
100 x 138 cm
Charcoal & Acrylic Medium on Paper - Mounted Canvas
2024
Morning Blue
Chong Siew Ying
100 x 138 cm
Charcoal & Acrylic Medium on Paper - Mounted Canvas
2024
Symphony
Chong Siew Ying
122 x 139 cm
Charcoal & Acrylic medium on Paper - Mounted Canvas
2024
Symphony
Chong Siew Ying
122 x 139 cm
Charcoal & Acrylic medium on Paper - Mounted Canvas
2024
Ephemeral Equilibrium
Yuki Tham
120 x 90 cm
Oil on Canvas
2024
In the fast-paced rhythm of city life, where success and wealth are relentlessly pursued, the nourishment of the soul is often overlooked. Yuki’s Ephemeral Equilibrium reimagines the food pyramid, drawing parallels between material and spiritual consumption in an ambition-driven urban landscape. Amid towering skylines and neon-lit desires, she prompts reflection: Are we truly satisfied or merely feeding an insatiable cycle of wants? This artwork challenges viewers to seek fulfillment beyond luxuries, embracing values that enrich both life and spirit amidst the chaos of modern living.
Ephemeral Equilibrium
Yuki Tham
120 x 90 cm
Oil on Canvas
2024
In the fast-paced rhythm of city life, where success and wealth are relentlessly pursued, the nourishment of the soul is often overlooked. Yuki’s Ephemeral Equilibrium reimagines the food pyramid, drawing parallels between material and spiritual consumption in an ambition-driven urban landscape. Amid towering skylines and neon-lit desires, she prompts reflection: Are we truly satisfied or merely feeding an insatiable cycle of wants? This artwork challenges viewers to seek fulfillment beyond luxuries, embracing values that enrich both life and spirit amidst the chaos of modern living.
Pride & Prejudice XX- XVIII
Najib Bamadhaj
247 x 135 cm
Acrylic, Charcoal & Fabric Collage on Wood Panels
2023-2024
Pride & Prejudice XX- XVIII
Najib Bamadhaj
247 x 135 cm
Acrylic, Charcoal & Fabric Collage on Wood Panels
2023-2024
Boundless Flow I
Hug Yin Wan
102 x 102cm
Woodcut on Plywood
2024
Boundless Flow captures life's constant transformation, inspired by Bruce Lee’s quote: 'Be formless, shapeless, like water.' Just as water adapts to any shape, life is a series of ever-changing moments. This work reflects the grace of impermanence, where every twist symbolizes the unfolding journey. Embracing this flow, we find peace in uncertainty and beauty in the ephemeral. The soft, interconnected lines remind us that life, like water, is always moving and adapting, yet remains harmonious.
Boundless Flow I
Hug Yin Wan
102 x 102cm
Woodcut on Plywood
2024
Boundless Flow captures life's constant transformation, inspired by Bruce Lee’s quote: 'Be formless, shapeless, like water.' Just as water adapts to any shape, life is a series of ever-changing moments. This work reflects the grace of impermanence, where every twist symbolizes the unfolding journey. Embracing this flow, we find peace in uncertainty and beauty in the ephemeral. The soft, interconnected lines remind us that life, like water, is always moving and adapting, yet remains harmonious.
Artist Statement
Boundless Flow captures life’s constant transformation, inspired by Bruce Lee’s quote: ‘Be formless, shapeless, like water.’ Just as water adapts to any shape, life is a series of ever-changing moments. This work reflects the grace of impermanence, where every twist symbolizes the unfolding journey. Embracing this flow, we find peace in uncertainty and beauty in the ephemeral. The soft, interconnected lines remind us that life, like water, is always moving and adapting, yet remains harmonious.
Boundless Flow II
Hug Yin Wan
102 x 102cm
Woodcut on Plywood
2024
Artist Statement
Boundless Flow captures life’s constant transformation, inspired by Bruce Lee’s quote: ‘Be formless, shapeless, like water.’ Just as water adapts to any shape, life is a series of ever-changing moments. This work reflects the grace of impermanence, where every twist symbolizes the unfolding journey. Embracing this flow, we find peace in uncertainty and beauty in the ephemeral. The soft, interconnected lines remind us that life, like water, is always moving and adapting, yet remains harmonious.
Sungguh Hati Melayu
Khairudin Zainudin
207 x 69 cm
Oil & Acrylic on Canvas
2024
The phenomenon of people wanting to appear 'extremely Malay' refers to efforts to emphasize Malay identity through clothing, language, or religious practices. This is often seen as a way to preserve cultural and religious heritage, as well as Malay rights in a sociopolitical context. However, it can sometimes take on a satirical tone, highlighting the tendency to hold onto a narrow definition of Malay identity, which is actually more dynamic and diverse. The exaggerated size of the songkok can also be seen as a satirical commentary on those who promote 'Malayness' excessively for political gain.
Sungguh Hati Melayu
Khairudin Zainudin
207 x 69 cm
Oil & Acrylic on Canvas
2024
The phenomenon of people wanting to appear 'extremely Malay' refers to efforts to emphasize Malay identity through clothing, language, or religious practices. This is often seen as a way to preserve cultural and religious heritage, as well as Malay rights in a sociopolitical context. However, it can sometimes take on a satirical tone, highlighting the tendency to hold onto a narrow definition of Malay identity, which is actually more dynamic and diverse. The exaggerated size of the songkok can also be seen as a satirical commentary on those who promote 'Malayness' excessively for political gain.
Bebanan Wewenang Songkok
Khairudin Zainudin
122 x 122 cm
Oil & Acrylic on Canvas
2024
Artist Statement
The phenomenon of people wanting to appear ‘extremely Malay’ refers to efforts to emphasize Malay identity through clothing, language, or religious practices. This is often seen as a way to preserve cultural and religious heritage, as well as Malay rights in a sociopolitical context. However, it can sometimes take on a satirical tone, highlighting the tendency to hold onto a narrow definition of Malay identity, which is actually more dynamic and diverse. The exaggerated size of the songkok can also be seen as a satirical commentary on those who promote ‘Malayness’ excessively for political gain.
Residual Sentiment
Gan Tee Sheng
183 x 122 cm
Oil on Canvas
2024
Artist Statement
Gan Tee Sheng’s intertwined nude bodies delve into complex emotions, often presenting surreal and unsettling scenes that tap into the subconscious. Through themes of Emotional Residue and Residual Sentiment, his art captures the rawness of human connection, intimacy, and identity, encouraging viewers to engage with deeper emotional layers beneath the surface. The interplay of body parts in his work invites open-ended interpretation, where the “weird odds” of his imagery provoke thought and unsettle the viewer.
Emotional Residue
Gan Tee Sheng
183 x 122 cm
Oil on Canvas
2024
Artist Statement
Gan Tee Sheng’s intertwined nude bodies delve into complex emotions, often presenting surreal and unsettling scenes that tap into the subconscious. Through themes of Emotional Residue and Residual Sentiment, his art captures the rawness of human connection, intimacy, and identity, encouraging viewers to engage with deeper emotional layers beneath the surface. The interplay of body parts in his work invites open-ended interpretation, where the “weird odds” of his imagery provoke thought and unsettle the viewer.
Formless 1
Syed Fakaruddin
183 x 92 cm
Acrylic on Canvas
2024
In the Google Vacation series, given Google Earth coordinates as titles, Syed Fakaruddin invites viewers into a surreal, aspirational escape, an imagined digital utopia that flirts with the idea of a luxury far beyond immediate reach. This work is less about literal travel and more about internal freedom, the luxury of dreaming in full colour.
Using an advanced and methodical technique that demands both patience and meditative precision, Syed weaves a delicate balance of lines and forms. The resulting pattern is not accidental. His approach mirrors the quiet persistence of someone navigating ambition through discipline, a process that transforms complexity into clarity.
The tower stone arrangement within the composition offers a great positive message for life. It symbolizes strength, balance, and the beauty of building upward with intention and care.
Formless 1
Syed Fakaruddin
183 x 92 cm
Acrylic on Canvas
2024
In the Google Vacation series, given Google Earth coordinates as titles, Syed Fakaruddin invites viewers into a surreal, aspirational escape, an imagined digital utopia that flirts with the idea of a luxury far beyond immediate reach. This work is less about literal travel and more about internal freedom, the luxury of dreaming in full colour.
Using an advanced and methodical technique that demands both patience and meditative precision, Syed weaves a delicate balance of lines and forms. The resulting pattern is not accidental. His approach mirrors the quiet persistence of someone navigating ambition through discipline, a process that transforms complexity into clarity.
The tower stone arrangement within the composition offers a great positive message for life. It symbolizes strength, balance, and the beauty of building upward with intention and care.
Empat Musim
Nik Mohd Shahfiz
106 x 122cm
Acrylics, Oil Paint & Horizontally Shredded Canvas on Canvas
2024
Empat Musim
Nik Mohd Shahfiz
106 x 122cm
Acrylics, Oil Paint & Horizontally Shredded Canvas on Canvas
2024
Dua Musim
Nik Mohd Shahfiz
106 x 122cm
Acrylics, Oil Paint & Horizontally Shredded Canvas on Canvas
2024
In 'Dua Musim', Nik Mohd Shahfiz reinterprets the bunga raya, Malaysia's national flower, as a powerful symbol of cultural pride and evolving identity. His artworks move beyond traditional representations, presenting the flower as fragmented yet resilient.
Each floral image is carefully painted, then cut into strips and reconstructed in a glitch-like arrangement. This method reflects the tension between tradition and modernity, as well as the ongoing transformation of national identity. The horizontal cuts suggest the fragile yet lasting nature of cultural memory.
Through bold colour, texture, and composition, Shahfiz creates a visual dialogue between unity and disruption. The vibrant, broken forms speak to the layered reality of patriotism and the beauty that emerges through imperfection.
Dua Musim
Nik Mohd Shahfiz
106 x 122cm
Acrylics, Oil Paint & Horizontally Shredded Canvas on Canvas
2024
In 'Dua Musim', Nik Mohd Shahfiz reinterprets the bunga raya, Malaysia's national flower, as a powerful symbol of cultural pride and evolving identity. His artworks move beyond traditional representations, presenting the flower as fragmented yet resilient.
Each floral image is carefully painted, then cut into strips and reconstructed in a glitch-like arrangement. This method reflects the tension between tradition and modernity, as well as the ongoing transformation of national identity. The horizontal cuts suggest the fragile yet lasting nature of cultural memory.
Through bold colour, texture, and composition, Shahfiz creates a visual dialogue between unity and disruption. The vibrant, broken forms speak to the layered reality of patriotism and the beauty that emerges through imperfection.
The Little Visitors
Nik M Shazmie
135 x 105cm
Acrylics and Industrial Paint on Canvas
2024
In ‘The Little Visitors’, Shazmie presents a playful yet thought-provoking glimpse into a future where artificial intelligence and robotics seamlessly take over domestic routines. What once seemed surreal is now a near reality, and Shazmie captures this shift with a vibrant pop-art approach, infused with humour, irony, and curiosity.
The work invites viewers to reflect on the evolving role of technology in everyday life. Are these robotic helpers a welcomed convenience or a subtle surrender of choice? With its cheerful aesthetic and open-ended tone, the piece poses a quiet but urgent question: in a world rapidly shaped by automation, do we embrace it by necessity, or are we simply left with no alternative?
The Little Visitors
Nik M Shazmie
135 x 105cm
Acrylics and Industrial Paint on Canvas
2024
In ‘The Little Visitors’, Shazmie presents a playful yet thought-provoking glimpse into a future where artificial intelligence and robotics seamlessly take over domestic routines. What once seemed surreal is now a near reality, and Shazmie captures this shift with a vibrant pop-art approach, infused with humour, irony, and curiosity.
The work invites viewers to reflect on the evolving role of technology in everyday life. Are these robotic helpers a welcomed convenience or a subtle surrender of choice? With its cheerful aesthetic and open-ended tone, the piece poses a quiet but urgent question: in a world rapidly shaped by automation, do we embrace it by necessity, or are we simply left with no alternative?
A Portrait of John Lennon
Arikwibowo Amril
122 x 122 cm
Rice Paper & Fabric Dye on Canvas
2024
A Portrait of John Lennon
Arikwibowo Amril
122 x 122 cm
Rice Paper & Fabric Dye on Canvas
2024
A Self Portrait of Picasso Painting
Arikwibowo Amril
122 x 91 cm
Rice Paper & Fabric Dye on Canvas
2024
A Self Portrait of Picasso Painting
Arikwibowo Amril
122 x 91 cm
Rice Paper & Fabric Dye on Canvas
2024
A Portrait of Mohammad Ali
Arikwibowo Amril
122 x 122 cm
Rice Paper & Fabric Dye on Canvas
2024
A Portrait of Mohammad Ali
Arikwibowo Amril
122 x 122 cm
Rice Paper & Fabric Dye on Canvas
2024
Infinite Loop
Noor Zahran
82 x 132cm
Ink on Paper
2024
Artist Statement
The artwork captures the endless cycle of digital scrolling, where users become lost in a never-ending flow of content. Mickey Mouse, depicted with a lively, determined posture, running atop a smartphone, symbolizes our constant search for more—more posts, more updates, more distractions. His iconic and playful nature contrasts with the overwhelming digital space, emphasizing how even nostalgic figures can be trapped in this loop. This artwork critiques the design of digital platforms that keep us engaged, often pulling us further away from the present. By portraying this infinite loop, the piece invites viewers to reflect on their online habits and consider the impact of constantly chasing the next piece of content in an endless digital stream.
AK Fury 47
Noor Zahran
82 x 132cm
Ink on Paper
2024
Artist Statement
AK Fury 47″ features a white rifle with a glass magazine filled with angry emojis, symbolizing the emotional ammunition of cyberbullying. The rifle’s stark, impersonal design reflects the cold nature of online platforms. This piece explores the devastating impact of anonymous online aggression, where even trivial symbols like emojis can cause real harm. “AK Fury 47” is a commentary on the hidden violence of the digital world, urging reflection on the emotional toll of cyberbullying in modern society.
Draining Sparkle
Noor Zahran
82 x 132cm
Ink on Paper
2024
The artwork captures the fleeting nature of internet fame through the metaphor of stars contained within a glass battery. The artwork is filled with blue stars, symbolizing individuals whose initial brilliance fades as they become forgotten in the fast-paced, ever-changing digital landscape. A few white stars stand out, representing the rare instances where someone momentarily remains in the spotlight, only to be overshadowed by the inevitable loss of relevance. The glass battery, a vessel meant to contain energy, symbolizes the limits of attention and recognition, constantly draining as one’s spark diminishes. This piece reflects on the transient nature of digital fame and the emotional toll it takes as one strives to stay visible in an oversaturated world.
Draining Sparkle
Noor Zahran
82 x 132cm
Ink on Paper
2024
The artwork captures the fleeting nature of internet fame through the metaphor of stars contained within a glass battery. The artwork is filled with blue stars, symbolizing individuals whose initial brilliance fades as they become forgotten in the fast-paced, ever-changing digital landscape. A few white stars stand out, representing the rare instances where someone momentarily remains in the spotlight, only to be overshadowed by the inevitable loss of relevance. The glass battery, a vessel meant to contain energy, symbolizes the limits of attention and recognition, constantly draining as one’s spark diminishes. This piece reflects on the transient nature of digital fame and the emotional toll it takes as one strives to stay visible in an oversaturated world.
Never Enough
Noor Zahran
82 x 132cm
Ink on Paper
2024
The artwork explores the paradox of modern connectivity through a symbolic juxtaposition of pencils within a cigarette box. In a society saturated with digital platforms, the artwork challenges the notion of fulfilment derived from constant online engagement. The pencils, traditionally tools of creation and communication, are confined within the constraints of a familiar vice, highlighting the addictive nature of social networking platforms consumption. As individuals incessantly seek validation and connection through their devices, the piece prompts reflection on the insatiable desire for virtual validation and the potential loss of authentic human connection. Through this poignant visual metaphor, "Never Enough" invites viewers to contemplate the balance between digital connectivity and genuine human interaction in today's hyper-connected world.
Never Enough
Noor Zahran
82 x 132cm
Ink on Paper
2024
The artwork explores the paradox of modern connectivity through a symbolic juxtaposition of pencils within a cigarette box. In a society saturated with digital platforms, the artwork challenges the notion of fulfilment derived from constant online engagement. The pencils, traditionally tools of creation and communication, are confined within the constraints of a familiar vice, highlighting the addictive nature of social networking platforms consumption. As individuals incessantly seek validation and connection through their devices, the piece prompts reflection on the insatiable desire for virtual validation and the potential loss of authentic human connection. Through this poignant visual metaphor, "Never Enough" invites viewers to contemplate the balance between digital connectivity and genuine human interaction in today's hyper-connected world.
Cup of Hope
Noor Zahran
59 x 59cm
Ink on Paper
2024
Artist Statement
The work features a delicate paper boat sailing in a teacup, symbolizing resilience and hope in navigating life’s challenges within the confined space of the digital world. The teacup reflects the boundaries set by digital media, while the boat represents the enduring human spirit, striving for unity and freedom despite these obstacles. This artwork speaks to the power of optimism and perseverance in a world shaped by digital connections.
Resilient Globe
Noor Zahran
59 x 59cm
Ink on Paper
2024
"Resilient Globe" portrays a globe filled with sad emojis, encased in a glass of happy emojis, symbolizing the dual reality of social media. The outer layer of happy emojis reflects the polished, joyful facade often presented online, while the sad emojis within represent the hidden emotional struggles many faces beneath the surface. This artwork explores how social media can mask true feelings, creating a disconnect between appearance and reality. "Resilient Globe" invites viewers to reflect on the contrast between curated online personas and the inner emotional challenges that remain unseen in the digital world.
Resilient Globe
Noor Zahran
59 x 59cm
Ink on Paper
2024
"Resilient Globe" portrays a globe filled with sad emojis, encased in a glass of happy emojis, symbolizing the dual reality of social media. The outer layer of happy emojis reflects the polished, joyful facade often presented online, while the sad emojis within represent the hidden emotional struggles many faces beneath the surface. This artwork explores how social media can mask true feelings, creating a disconnect between appearance and reality. "Resilient Globe" invites viewers to reflect on the contrast between curated online personas and the inner emotional challenges that remain unseen in the digital world.
Beyond the Numbers
Noor Zahran
59 x 59cm
Ink on Paper
2024
Artist Statement
The artwork “Beyond the Numbers” portrays Super Mario resting wearily against a sack of blue numbers, symbols of the endless digital data we often chase—likes, followers, and shares. This piece sheds light on the toll of constant pursuit for online validation, reminding viewers of the importance of balance and genuine self-worth. Mario’s fatigue encourages us to pause and reflect on our own digital habits, guiding us to seek meaning beyond superficial metrics. The artwork calls for a return to authentic connections and inner fulfillment, prompting a reassessment of what truly brings value to our lives.
I'm Waiting For U
Shafiq Nordin
34(H) x 39(W) x 29(D) cm
Acrylic & Industrial Paint on Vinyl Sculpture
2024
( Viewing : Left, Front, Rear & Right )
I'm Waiting For U
Shafiq Nordin
34(H) x 39(W) x 29(D) cm
Acrylic & Industrial Paint on Vinyl Sculpture
2024
( Viewing : Left, Front, Rear & Right )
No Place Like Home
Shafiq Nordin
46(H) x 39W x 29(D) cm
Acrylic & Industrial Paint on Vinyl Sculpture
2024
( Viewing : Left, Front, Rear & Right )
No Place Like Home
Shafiq Nordin
46(H) x 39W x 29(D) cm
Acrylic & Industrial Paint on Vinyl Sculpture
2024
( Viewing : Left, Front, Rear & Right )
Blind Box: In His Mind 1
Shafiq Nordin
10(H)x13(W)x10(D)cm
Acrylic & Industrial Paint on Vinyl Sculpture
2024
Blind Box: In His Mind 1
Shafiq Nordin
10(H)x13(W)x10(D)cm
Acrylic & Industrial Paint on Vinyl Sculpture
2024
Click to view Artist Profile
- Amirul Aiman
- Anisa Abdullah
- Chong Siew Ying
- Chang Fee Ming
- Fadilah Karim
- Fawwaz Sukri
- Hug Yin Wan
- Khairudin Zainudin
- Najib Ahmad Bamadhaj
- NIK M SHAZMIE
- NIK MOHD SHAHFIZ
- Raduan Man
- Dato’ Sharifah Fatimah Syed Zubir
- Syed Fakaruddin
- Tajuddin Ismail
- Noor Zahran
- Palito Perak
- RAFIEE GHANI
- Kow Leong Kiang
- Wong Ming Hao
- Yuki Tham
- Shafiq Nordin
- Suzlee Ibrahim
- Izzuddin Basiron
- Haziq Syawal
- GAN TEE SHENG
- James Seet
- Arikwibowo Amril
- Bayu Utomo Radijkin
- Huy Yin Wan
- Zulkifli Yusof