Urban Narratives
28 Feb - 11 Mar 2025
G13 Gallery is proud to present “Urban Narratives”, a group exhibition by contemporary Malaysian artists exploring the multifaceted identity of Kuala Lumpur. The exhibition delves into the city’s vibrant streetscapes, evolving architecture and diverse communities, unveiling the unseen layers of its social, psychological and cultural essence. Through themes of urbanization, adaptation, and identity, Urban Narratives offers a multidimensional portrayal of Kuala Lumpur as a city in constant transformation.
This exhibition features 18 contemporary Malaysian artists namely Aimman Hafizal, Amirul Aiman, Anisa Abdullah, Fawwaz Sukri, Gan Sze Hooi, Gan Tee Sheng, Haziq Syawal, Ho Mei Kei, Izzuddin Basiron, Khairudin Zainudin, Najib Bamadhaj, Nik M Shazmie, Nik Mohd Shahfiz, Noor Zahran, Shafiq Nordin, Syed Fakaruddin, Wong Ming Hao and Yuki Tham, each bringing their unique perspective to this vibrant exploration of Kuala Lumpur.
“Urban Narratives” will be held at The Drawing Room, Level 3, Yap Ah Shak House, Kuala Lumpur. The show runs from 28 February to 11 March 2025, with an opening reception on 27th February 2025.
Now & Then
Najib Bamadhaj
134 x 100.5cm
Diptych Mixed Media on Antique Wood Panel
2025
The artwork, depicting high-rise buildings symbolizing Kuala Lumpur’s rapid growth, framed in an antique oriental wooden frame, creates a striking contrast between modernity and tradition. Within the exhibition theme Urban Narratives, this juxtaposition suggests a dialogue between the city’s evolving skyline and its cultural heritage. This interplay invites viewers to consider the complexities of urbanization, where progress reshapes the city while cultural identity persists within its transformation.
Now & Then
Najib Bamadhaj
134 x 100.5cm
Diptych Mixed Media on Antique Wood Panel
2025
The artwork, depicting high-rise buildings symbolizing Kuala Lumpur’s rapid growth, framed in an antique oriental wooden frame, creates a striking contrast between modernity and tradition. Within the exhibition theme Urban Narratives, this juxtaposition suggests a dialogue between the city’s evolving skyline and its cultural heritage. This interplay invites viewers to consider the complexities of urbanization, where progress reshapes the city while cultural identity persists within its transformation.
Artist Statement
Colors of Kuih (Kuih Muih Series)
Ho Mei Kei
80 x 60cm
Acrylic on Canvas
2025
Through her Kuih Muih Series, particularly Colors of Kuih, Ho Mei Kei captures this transformation, using the vibrant hues of traditional kuih muih to symbolize the multicultural harmony of Kuala Lumpur. These colorful delicacies, each distinct in form and flavor, reflect Malaysia’s diverse communities coming together through shared traditions. Representing resilience, adaptation, and unity, the kuih celebrate the ever-evolving yet deeply rooted spirit of the city—much like Yap Ah Shak Street itself, where kopitiams, cafés, and international cuisines now coexist in a seamless blend of heritage and modernity.
Colors of Kuih (Kuih Muih Series)
Ho Mei Kei
80 x 60cm
Acrylic on Canvas
2025
Through her Kuih Muih Series, particularly Colors of Kuih, Ho Mei Kei captures this transformation, using the vibrant hues of traditional kuih muih to symbolize the multicultural harmony of Kuala Lumpur. These colorful delicacies, each distinct in form and flavor, reflect Malaysia’s diverse communities coming together through shared traditions. Representing resilience, adaptation, and unity, the kuih celebrate the ever-evolving yet deeply rooted spirit of the city—much like Yap Ah Shak Street itself, where kopitiams, cafés, and international cuisines now coexist in a seamless blend of heritage and modernity.
Delicacies of KL (Kuih Muih Series)
Ho Mei Kei
80 x 60cm
Acrylic on Canvas
2025
Ho Mei Kei’s artwork reflects how food anchors cultural identity, offering a visual and emotional connection to history amidst modernization. As Kuala Lumpur evolves, its historic streets take on new identities while retaining echoes of the past. Once rooted in tradition, Yap Ah Shak Street has transformed into a bustling food hub, seamlessly blending heritage with modern influences. Through her Kuih Muih Series, Ho Mei Kei captures this transformation, using the enduring presence of kuih muih as a symbol of resilience amid urban change. These traditional desserts serve as a bridge between past and present, much like the street itself, where kopitiams, cafés and international cuisines now coexist
Delicacies of KL (Kuih Muih Series)
Ho Mei Kei
80 x 60cm
Acrylic on Canvas
2025
Ho Mei Kei’s artwork reflects how food anchors cultural identity, offering a visual and emotional connection to history amidst modernization. As Kuala Lumpur evolves, its historic streets take on new identities while retaining echoes of the past. Once rooted in tradition, Yap Ah Shak Street has transformed into a bustling food hub, seamlessly blending heritage with modern influences. Through her Kuih Muih Series, Ho Mei Kei captures this transformation, using the enduring presence of kuih muih as a symbol of resilience amid urban change. These traditional desserts serve as a bridge between past and present, much like the street itself, where kopitiams, cafés and international cuisines now coexist
Diversity
Izzuddin Basiron
122 x 122cm
Mixed Media on Canvas
2025
"Diversity" captures Kuala Lumpur's ever-evolving landscape, with Menara 118 symbolizing Malaysia’s progress and independence. Through dynamic colors and fluid movement, the artwork reflects the city's transformation, where changing needs drive architectural growth. The tower stands as a testament to modernity, highlighting Kuala Lumpur’s emergence as a globally recognized metropolis.
Diversity
Izzuddin Basiron
122 x 122cm
Mixed Media on Canvas
2025
"Diversity" captures Kuala Lumpur's ever-evolving landscape, with Menara 118 symbolizing Malaysia’s progress and independence. Through dynamic colors and fluid movement, the artwork reflects the city's transformation, where changing needs drive architectural growth. The tower stands as a testament to modernity, highlighting Kuala Lumpur’s emergence as a globally recognized metropolis.
Artist Statement
Jackpot
Fawwaz Sukri
120 x 90cm
Acrylic on canvas
2025
The artwork "Jackpot" exemplifies a compelling artistic approach that bridges past and present through the lens of pop culture. By incorporating vintage posters characterized by bold typography, vibrant colors and nostalgic imagery, the artist evokes the essence of bygone eras while crafting a contemporary visual narrative. These posters, historically advertising films, travel destinations, consumer goods or political campaigns, serve as cultural artifacts, each telling its own story. When combined, they form dynamic collages reflecting the complexity of city life, highlighting the interplay between history and modernity. This method offers commentary on societal changes and cultural shifts, transforming familiar visuals into a rich tapestry that invites viewers to explore the intersections of time, place, and memory.
Jackpot
Fawwaz Sukri
120 x 90cm
Acrylic on canvas
2025
The artwork "Jackpot" exemplifies a compelling artistic approach that bridges past and present through the lens of pop culture. By incorporating vintage posters characterized by bold typography, vibrant colors and nostalgic imagery, the artist evokes the essence of bygone eras while crafting a contemporary visual narrative. These posters, historically advertising films, travel destinations, consumer goods or political campaigns, serve as cultural artifacts, each telling its own story. When combined, they form dynamic collages reflecting the complexity of city life, highlighting the interplay between history and modernity. This method offers commentary on societal changes and cultural shifts, transforming familiar visuals into a rich tapestry that invites viewers to explore the intersections of time, place, and memory.
Ephemeral Equilibrium
Yuki Tham
120 x 90 cm
Oil on Canvas
2024
In the fast-paced rhythm of city life, where success and wealth are relentlessly pursued, the nourishment of the soul is often overlooked. Yuki’s Ephemeral Equilibrium reimagines the food pyramid, drawing parallels between material and spiritual consumption in an ambition-driven urban landscape. Amid towering skylines and neon-lit desires, she prompts reflection: Are we truly satisfied or merely feeding an insatiable cycle of wants? This artwork challenges viewers to seek fulfillment beyond luxuries, embracing values that enrich both life and spirit amidst the chaos of modern living.
Ephemeral Equilibrium
Yuki Tham
120 x 90 cm
Oil on Canvas
2024
In the fast-paced rhythm of city life, where success and wealth are relentlessly pursued, the nourishment of the soul is often overlooked. Yuki’s Ephemeral Equilibrium reimagines the food pyramid, drawing parallels between material and spiritual consumption in an ambition-driven urban landscape. Amid towering skylines and neon-lit desires, she prompts reflection: Are we truly satisfied or merely feeding an insatiable cycle of wants? This artwork challenges viewers to seek fulfillment beyond luxuries, embracing values that enrich both life and spirit amidst the chaos of modern living.
Monday
Yuki Tham
160 x 120 cm
Oil on Canvas
2024
Monday is often associated with the phrase "Monday Blues," a hue of blue that perfectly captures the mood many feel at the start of the week. Yet, what truly connects us is the variation in how we experience it—each person carrying their own purpose, their own drive. While the feeling may differ for everyone, it’s not simply about the weight of routine. It’s also about the quiet strength we summon to move forward, driven by goals, dreams, and the hope for a better day. That shared push transforms the blue of Monday from a symbol of pessimism into one of resilience and possibility, reminding us that each new start carries the potential for something greater.
Monday
Yuki Tham
160 x 120 cm
Oil on Canvas
2024
Monday is often associated with the phrase "Monday Blues," a hue of blue that perfectly captures the mood many feel at the start of the week. Yet, what truly connects us is the variation in how we experience it—each person carrying their own purpose, their own drive. While the feeling may differ for everyone, it’s not simply about the weight of routine. It’s also about the quiet strength we summon to move forward, driven by goals, dreams, and the hope for a better day. That shared push transforms the blue of Monday from a symbol of pessimism into one of resilience and possibility, reminding us that each new start carries the potential for something greater.
Girl in a Labyrinth of Food
Gan Sze Hooi
91 x 116.5cm
Oil on Canvas
2025
Inspired by the film Pan’s Labyrinth, this artwork reflects the tension between desire and restraint. The story follows a girl trapped in a maze without food, warned not to touch the feast before her. Unable to resist, she takes a few bites, unaware that the food is a secret test by an evil force. This cautionary tale parallels the dilemmas we face in modern life—navigating a world filled with temptations and hidden traps.
Through my exploration of mapping, I’ve come to realize that a map is a maze, and a maze is a map—both serve as metaphors for movement, decision-making, and abstract concepts of control and fate. These visual elements act as tools for constructing my artistic universe, bridging history, culture, and personal narratives.
At its core, this work questions whether we control our desires or if our desires control us. The labyrinth represents the path of life, where every choice leads us deeper into self-discovery or deception. In today’s world, many fall prey to materialistic enticements—advertisements, financial traps, and the illusion of wealth. This contrast is visually represented through color: the blue side symbolizes restraint and mindfulness, urging us to pause, while the red side embodies desire—where excitement, consumption, and indulgence dominate, particularly among younger generations.
By reinterpreting historical and cultural symbols, such as Kapitan Yap Ah Shak’s body shape, this work reflects how traditions, choices, and temptations shape our journey. The question remains—will we navigate wisely, or be consumed by the maze of desire?
Girl in a Labyrinth of Food
Gan Sze Hooi
91 x 116.5cm
Oil on Canvas
2025
Inspired by the film Pan’s Labyrinth, this artwork reflects the tension between desire and restraint. The story follows a girl trapped in a maze without food, warned not to touch the feast before her. Unable to resist, she takes a few bites, unaware that the food is a secret test by an evil force. This cautionary tale parallels the dilemmas we face in modern life—navigating a world filled with temptations and hidden traps.
Through my exploration of mapping, I’ve come to realize that a map is a maze, and a maze is a map—both serve as metaphors for movement, decision-making, and abstract concepts of control and fate. These visual elements act as tools for constructing my artistic universe, bridging history, culture, and personal narratives.
At its core, this work questions whether we control our desires or if our desires control us. The labyrinth represents the path of life, where every choice leads us deeper into self-discovery or deception. In today’s world, many fall prey to materialistic enticements—advertisements, financial traps, and the illusion of wealth. This contrast is visually represented through color: the blue side symbolizes restraint and mindfulness, urging us to pause, while the red side embodies desire—where excitement, consumption, and indulgence dominate, particularly among younger generations.
By reinterpreting historical and cultural symbols, such as Kapitan Yap Ah Shak’s body shape, this work reflects how traditions, choices, and temptations shape our journey. The question remains—will we navigate wisely, or be consumed by the maze of desire?
Artist Statement
She won’t even know your name
Gan Sze Hooi
83.5 x 83.5cm
Oil on Canvas
2025
Inspired by traditional colonial maps, this artwork features four divine figures at each corner, blowing in different directions, symbolizing forces shaping the city's evolution. At the center, a map of Jalan Yap Ah Shak encircles a young girl—unaware of its history, lost within the urban landscape. Clouds fill the scene, carrying fragmented definitions and descriptions, reflecting a fading past.
The title She Won’t Even Know Your Name stems from a simple question I asked my 18-year-old daughter: Do you know who Yap Ah Shak was? Her response "no idea" revealed a growing detachment from historical roots, where landmarks are now defined by food spots and social media check-ins"
As urban transformation accelerates through digital integration and iCloud technology, connectivity and efficiency redefine our relationship with the city, blurring the lines between memory and progress. The old community no longer relates to the name; traditional values are vanishing. In this rapid modernization, we are left with a question: Should we still preserve history, or should economic growth take precedence?
She won’t even know your name
Gan Sze Hooi
83.5 x 83.5cm
Oil on Canvas
2025
Inspired by traditional colonial maps, this artwork features four divine figures at each corner, blowing in different directions, symbolizing forces shaping the city's evolution. At the center, a map of Jalan Yap Ah Shak encircles a young girl—unaware of its history, lost within the urban landscape. Clouds fill the scene, carrying fragmented definitions and descriptions, reflecting a fading past.
The title She Won’t Even Know Your Name stems from a simple question I asked my 18-year-old daughter: Do you know who Yap Ah Shak was? Her response "no idea" revealed a growing detachment from historical roots, where landmarks are now defined by food spots and social media check-ins"
As urban transformation accelerates through digital integration and iCloud technology, connectivity and efficiency redefine our relationship with the city, blurring the lines between memory and progress. The old community no longer relates to the name; traditional values are vanishing. In this rapid modernization, we are left with a question: Should we still preserve history, or should economic growth take precedence?
Arus Malam
Amirul Aiman
122 x 122cm
Mixed Media on Canvas
2025
Artist Statement
“Arus Malam” portrays Mamak restaurants as vibrant communal hubs in Malaysian cities, especially during late-night hours. These establishments are more than just eateries; they are spaces where people gather, converse, and experience the city’s nocturnal energy. The inclusion of stray cats, drawn by patrons’ generosity, adds depth to this narrative, highlighting the Mamak’s role as a welcoming space for all. This detail underscores the establishment’s constant motion and its integral place in the urban landscape, reflecting the dynamic and inclusive spirit of Malaysian cities.
Symphony Of Concrete And Green I
Wong Ming Hao
90 x 90cm
Acrylic Collage on Canvas
2025
Artist Statement
“Symphony of Concrete and Green” examines the intricate relationship between Kuala Lumpur’s urban expansion and the resilience of nature. Through a collage of interwoven strip canvases, artist employ geometric abstraction to reflect the city’s structured growth while revealing the persistence of green spaces, trees, vines and parks emerging amidst rigid architectural forms. As climate change reshapes urban environments, these natural elements play a vital role in cooling the city and maintaining biodiversity. By layering structure and organic forms, The artwork serves as a reflection on the delicate harmony between development and ecological sustainability.
Symphony Of Concrete And Green II
Wong Ming Hao
90 x 90cm
Acrylic Collage on Canvas
2025
Artist Statement
“Symphony of Concrete and Green” examines the intricate relationship between Kuala Lumpur’s urban expansion and the resilience of nature. Through a collage of interwoven strip canvases, artist employ geometric abstraction to reflect the city’s structured growth while revealing the persistence of green spaces, trees, vines and parks emerging amidst rigid architectural forms. As climate change reshapes urban environments, these natural elements play a vital role in cooling the city and maintaining biodiversity. By layering structure and organic forms, The artwork serves as a reflection on the delicate harmony between development and ecological sustainability.
Urban Kaleidoscope of Kuala Lumpur
Nik Mohd Shahfiz
104 x 120cm
Acrylic on Canvas
2025
Artist Statement
Using the MRT as a microcosm of urban life, this artwork captures Kuala Lumpur’s rhythm, where diverse individuals briefly coexist before dispersing into the city. The daily commute becomes a silent performance of survival, ambition and fleeting connection, revealing both vibrancy and solitude. To contrast this structured reality, whimsical elements like horses, an astronaut, an anime figure and Pooh Bear is to blur the line between routine and imagination. These nostalgic symbols reflect how people seek comfort and freedom within urban pressures, transforming the MRT into more than just a transit space & it becomes a reflection of human experience in a changing metropolis.
Purchasing for Protection
Noor Zahran
55 x 79.5cm
Pencil on Paper
2025
Artist Statement
This photograph, taken on February 1, 2020, in front of ANSA Hotel Kuala Lumpur, captures a moment that, at the time, felt ordinary, a woman buying a facemask before masks became a daily necessity. Back then, during my lunchtime walks around Bukit Bintang, the city still moved at its usual pace, unaware of how drastically things would shift.
Looking at this image today, it speaks to how cities and communities adapt over time. What was once a rare sight has now become second nature. The way we navigate public spaces, interact with one another, and incorporate new habits into our daily lives reflects the evolving nature of urban society. From digital transactions to redefined work cultures and shifting social dynamics, we have reshaped our routines to align with new realities. This photograph is a quiet reflection of that shift, how small actions eventually weave into the fabric of our cities, shaping the way we live, connect, and move forward together.
Start with Foundation
Khairudin Zainudin
60 x 120cm
Acrylic on Canvas
2025
Artist Statement
The artwork portraying a solid foundation as the grounding force, this artwork reflects the continuous transformation of both rural and urban landscapes. The layered geometric forms symbolize structural and societal shifts, illustrating the ever evolving nature of our surroundings.
Minum Senja di Darat
Khairudin Zainudin
41.5 x 91.5cm
Scratch on Digital Printed Aluminium
2024
Minum Senja di Darat
Khairudin Zainudin
41.5 x 91.5cm
Scratch on Digital Printed Aluminium
2024
Artist Statement
Minum Senja di Darat is set against the backdrop of a rural boatman scene, reflecting Khairudin’s deep engagement with contrasting lifestyles. Through this work, he explores the differing social behaviors of urban and rural communities, using the exhibition’s theme as a catalyst for reflection. By championing both worlds, he highlights their unique identities while revealing the underlying connections that shape society.
'Nothing but I love it' (Back)
Syed Fakaruddin
61 x 61cm
Oil & Acrylic on Canvas
2025
Artist Statement
‘Nothing but I love it’ offers a nuanced portrayal of Kuala Lumpur by presenting two contrasting perspectives. The front view highlights the city’s density, architectural diversity, and cultural richness, celebrating its vibrancy and allure. In contrast, the rear view reveals a hollow structure, symbolizing the challenges of urbanization, such as feelings of isolation or disconnection among long-term residents. This juxtaposition suggests a subtle critique of urbanization’s impact, reflecting both admiration for the city’s progress and concern for its societal implications
'Nothing but I love it' (Front)
Syed Fakaruddin
61 x 61cm
Oil & Acrylic on Canvas
2025
Artist Statement
‘Nothing but I love it’ offers a nuanced portrayal of Kuala Lumpur by presenting two contrasting perspectives. The front view highlights the city’s density, architectural diversity, and cultural richness, celebrating its vibrancy and allure. In contrast, the rear view reveals a hollow structure, symbolizing the challenges of urbanization, such as feelings of isolation or disconnection among long-term residents. This juxtaposition suggests a subtle critique of urbanization’s impact, reflecting both admiration for the city’s progress and concern for its societal implications
Urban Rhythms 1
Haziq Syawal
45 x 120cm
Acrylic on Canvas
2025
Artist Statement
Urban Rhythm reflects the structured yet fluid nature of Kuala Lumpur’s architecture and daily life. Inspired by cropped, repetitive images of high-rises, it translates the city’s rhythmic patterns into layered textures and tonal shifts. The stacked forms mirror urban housing, where luxury apartments and aging flats coexist, highlighting the contrasts of wealth and struggle within the same skyline. the artwork captures this paradox, portraying an environment that appears uniform yet constantly shifts through the human stories it holds.
Mon-zilla Urban Destruction
Nik M Shazmie
41(H) x 33(W) x 30(D)cm
Acrylics on Vinyl Sculpture and Plastic Parts
2025
Mon-zilla Urban Destruction
Nik M Shazmie
41(H) x 33(W) x 30(D)cm
Acrylics on Vinyl Sculpture and Plastic Parts
2025
No Spicy No Party
Nik M Shazmie
40(H) x 31(W) x 30(D)cm
Acrylic and Industrial Paint on PVC Vinyl Sculpture
2024
No Spicy No Party
Nik M Shazmie
40(H) x 31(W) x 30(D)cm
Acrylic and Industrial Paint on PVC Vinyl Sculpture
2024
Ultra-Mon Urban
Nik M Shazmie
44cm x 32cm x 20cm
Acrylics on Vinyl Sculpture and Plastic Parts
2025
Ultra-Mon Urban
Nik M Shazmie
44cm x 32cm x 20cm
Acrylics on Vinyl Sculpture and Plastic Parts
2025
Liquid Flesh
Gan Tee Sheng
22(H) x 8(W) x 8(D)cm
Oil on Ceramic Bottle
2025
Artist Statement
Gan Tee Sheng’s Liquid Flesh suggests the human body flows and contorts like liquid, mirroring the transformations induced by alcohol. Painting directly onto bottles, he merges identity with medium, blurring the boundaries between self and substance. His work explores the altered states of awareness shaped by intoxication where reality bends, and consciousness drifts between clarity and illusion. In this surreal interplay, he captures the rhythm of urban existence, reflecting the delicate balance between indulgence and control in a world driven by desire and transformation.
The Forbidden Jar
Gan Tee Sheng
22(H) x 8(W) x8 (D)cm
Oil on Ceramic Bottle
2025
Artist Statement
Like Pandora’s box, the wine bottle holds surreal, hidden secrets, desires, dangers and transformations waiting to unfold. In the fast-paced rhythm of urban life, where indulgence meets introspection, The Forbidden Jar explores the fluid boundary between consciousness and unconsciousness. It reflects the way city dwellers navigate the fine line between control and surrender, revealing the mysteries that lurk beneath the surface of everyday existence.
OBEY
Shafiq Nordin
84(H ) x 35.5(W) x 35.5(D)cm
Acrylic on Road Cones
2025
Artist Statement
Road cones, like in Squid Game, symbolize the structured yet unpredictable nature of progress by ignoring them can lead to accidents or setbacks. They mark transformation, guiding society through urban change.
With humor, the artist reinterprets this theme using their unique character, blending high-stakes tension with a playful twist. The artwork reflects how urban expansion demands careful navigation, where breaking the rules can have real consequences amid the rush for progress.
The Place We Landed I
Aimman Hafizal
50(H) x 39(W )x 46(D)cm
Acrylic Painted on Wood
2025
Artist Statement
Kuala Lumpur as a site of artistic experimentation, where the city’s layered history and rapid transformation serve as both subject and medium. By choosing this metropolis as a focal point, the artwork uncovers the unseen narratives within its urban fabric, the stories of migration, resilience and adaptation. The forest symbolizes both mystery and exploration, mirroring the experience of those who journey here to carve out a life. Through this work, the artist examines how Kuala Lumpur is more than just a city; it is a living landscape where dreams and realities converge, shaping identities and redefining the notion of home.
The Place We Landed II
Aimman Hafizal
41(H) x 39(W) x 46(D)cm
Acrylic Painted on Wood
2025
Artist Statement
Kuala Lumpur as a site of artistic experimentation, where the city’s layered history and rapid transformation serve as both subject and medium. By choosing this metropolis as a focal point, the artwork uncovers the unseen narratives within its urban fabric, the stories of migration, resilience and adaptation. The forest symbolizes both mystery and exploration, mirroring the experience of those who journey here to carve out a life. Through this work, the artist examines how Kuala Lumpur is more than just a city; it is a living landscape where dreams and realities converge, shaping identities and redefining the notion of home.
Click to view Artist Profile
- Amirul Aiman
- Fawwaz Sukri
- GAN TEE SHENG
- Haziq Syawal
- Izzuddin Basiron
- Khairudin Zainudin
- Najib Ahmad Bamadhaj
- NIK M SHAZMIE
- NIK MOHD SHAHFIZ
- Shafiq Nordin
- Syed Fakaruddin
- Wong Ming Hao
- Yuki Tham
- Aimman Hafizal
- Anisa Abdullah
- Gan Sze Hooi
- Ho Mei Kei
- Noor Zahran