ARTMOMENTS JAKARTA 2025
8 - 10 AUGUST 2025
G13 Gallery is excited to participate once again in Art Moments Jakarta 2025, a boutique art fair in Southeast Asia spotlighting contemporary voices from across the region. The event offers a vibrant space for cultural dialogue and artistic discovery, uniting galleries, collectors and artists.
This year, we’re proud to showcase an exceptional selection of works by Malaysian artists Anisa Abdullah, Chong Siew Ying, Gabriel Cheah, Gan Tee Sheng, Hisyamuddin Abdullah, James Seet and Rafiee Ghani, along with Indonesian talents NPAAW and Palito Perak.
Catch us at the Agora Exhibition Hall, 11th Floor, Jakarta on 8 till 10 August 2025. See you there!
Air Muka
James Seet
150cm (Diameter) various height
Ceramics
2025
The Installation Air Muka: "A Reflection on Identity and Conformity"In a world increasingly shaped by conformity, Air Muka invites viewers to examine the fragile balance between individuality and collective identity. Inspired by the Malay expression referring to face, dignity, and public perception, the installation asks us to consider how much of ourselves is truly our own, and how much is shaped by the roles we are expected to play.
Suspended from above, a cascade of ceramic raindrops falls in organic, unpredictable rhythm. At first glance, each droplet appears identical, but upon closer inspection, they are subtly different in shape and surface. At the base of every raindrop lies a face, repeated across the installation, a mirrored likeness that challenges the notion of uniqueness. Below, a seamless circular mirror set into a raised platform reflects the falling droplets, drawing the viewer into the work. As one approaches, their own reflection merges with the countless faces, prompting a quiet confrontation. Are we truly distinct, or merely one among many shaped by external pressures and social constructs? The soft glow beneath the platform suggests illumination and self-awareness, offering a meditative space that encourages introspection. Yet Air Muka does not offer clarity or resolution. Instead, it leaves the viewer suspended in a space of questioning—to pause, to reflect, and to reconsider the silent forces that shape how we see ourselves and how we are seen by others.
Air Muka
James Seet
150cm (Diameter) various height
Ceramics
2025
The Installation Air Muka: "A Reflection on Identity and Conformity"In a world increasingly shaped by conformity, Air Muka invites viewers to examine the fragile balance between individuality and collective identity. Inspired by the Malay expression referring to face, dignity, and public perception, the installation asks us to consider how much of ourselves is truly our own, and how much is shaped by the roles we are expected to play.
Suspended from above, a cascade of ceramic raindrops falls in organic, unpredictable rhythm. At first glance, each droplet appears identical, but upon closer inspection, they are subtly different in shape and surface. At the base of every raindrop lies a face, repeated across the installation, a mirrored likeness that challenges the notion of uniqueness. Below, a seamless circular mirror set into a raised platform reflects the falling droplets, drawing the viewer into the work. As one approaches, their own reflection merges with the countless faces, prompting a quiet confrontation. Are we truly distinct, or merely one among many shaped by external pressures and social constructs? The soft glow beneath the platform suggests illumination and self-awareness, offering a meditative space that encourages introspection. Yet Air Muka does not offer clarity or resolution. Instead, it leaves the viewer suspended in a space of questioning—to pause, to reflect, and to reconsider the silent forces that shape how we see ourselves and how we are seen by others.
Heaven & Hell
James Seet
56(H) x 71(W) x 151.2(D)cm
Ceramics
2025
There are always two sides to a story, two polar ends of every experience: joy and pain, presence and absence, the visible and the hidden. This installation explores that tension, drawing from the philosophy of Yin and Yang: opposing forces that are deeply connected and constantly shifting. Black and white are used not just as contrasts, but as complements, each space intercepting the other, in search of balance.
For the artist, this past year embodied both extremes. There was the dream of creating full-time and traveling for art, but also moments of betrayal, loss, and grief. The work reflects a search for balance, shaped by both joy and hardship. The two ornate frames face each other, linked by a sculptural path. Every angle offers a new perspective. It’s not just about what you see, but what you carry.
Heaven & Hell
James Seet
56(H) x 71(W) x 151.2(D)cm
Ceramics
2025
There are always two sides to a story, two polar ends of every experience: joy and pain, presence and absence, the visible and the hidden. This installation explores that tension, drawing from the philosophy of Yin and Yang: opposing forces that are deeply connected and constantly shifting. Black and white are used not just as contrasts, but as complements, each space intercepting the other, in search of balance.
For the artist, this past year embodied both extremes. There was the dream of creating full-time and traveling for art, but also moments of betrayal, loss, and grief. The work reflects a search for balance, shaped by both joy and hardship. The two ornate frames face each other, linked by a sculptural path. Every angle offers a new perspective. It’s not just about what you see, but what you carry.
Just Chill
Gabriel Cheah
19(H) x 25.5(W) x 14.5(D)cm
Acrylic, Gold Leaf, Hand-moulded Ceramic & European Crystals
2025
"Just Chill" feels like a quiet conversation between Gabriel and himself, a gentle whisper from the soul. It offers comfort without condition, asks for space without apology and reminds him and us that simply being is sometimes more than enough.
With closed eyes and lotus blooms, the figure speaks in silence in a slow unfolding, a moment suspended in grace.
It leaves us with a tender message:
You are allowed to rest.
You are allowed to bloom in your own time.
Just Chill
Gabriel Cheah
19(H) x 25.5(W) x 14.5(D)cm
Acrylic, Gold Leaf, Hand-moulded Ceramic & European Crystals
2025
"Just Chill" feels like a quiet conversation between Gabriel and himself, a gentle whisper from the soul. It offers comfort without condition, asks for space without apology and reminds him and us that simply being is sometimes more than enough.
With closed eyes and lotus blooms, the figure speaks in silence in a slow unfolding, a moment suspended in grace.
It leaves us with a tender message:
You are allowed to rest.
You are allowed to bloom in your own time.
Never Stop Playing
Gabriel Cheah
27.5(H) x 26.5(W) x 14.5(D)cm
Acrylic, 24K Gold Leaf, Hand-moulded Ceramic & European Crystals
2025
Seriously. In this outfit, diving into a shallow koi-lotus pond? With flippers in the air and legs mid-splash, the figure in Never Stop Playing is clearly not concerned with logic or limits. Gabriel Cheah presents a delightfully absurd moment that reflects his own spirited character — playful, rebellious, and joyfully unbothered.
This work is more than just visual humour. It celebrates the courage to find magic in mundane places, to live curiously and unapologetically. The oversized flippers and delicate pond setting speak to Gabriel’s belief that life does not need to be grand to be joyful. It simply needs imagination.Rooted in childhood wonder and personal expression, Never Stop Playing is a reminder to let go, have fun, and above all else, never stop playing.
Never Stop Playing
Gabriel Cheah
27.5(H) x 26.5(W) x 14.5(D)cm
Acrylic, 24K Gold Leaf, Hand-moulded Ceramic & European Crystals
2025
Seriously. In this outfit, diving into a shallow koi-lotus pond? With flippers in the air and legs mid-splash, the figure in Never Stop Playing is clearly not concerned with logic or limits. Gabriel Cheah presents a delightfully absurd moment that reflects his own spirited character — playful, rebellious, and joyfully unbothered.
This work is more than just visual humour. It celebrates the courage to find magic in mundane places, to live curiously and unapologetically. The oversized flippers and delicate pond setting speak to Gabriel’s belief that life does not need to be grand to be joyful. It simply needs imagination.Rooted in childhood wonder and personal expression, Never Stop Playing is a reminder to let go, have fun, and above all else, never stop playing.
Escape from Reality
Gabriel Cheah
24(H) x 25.5(W) x 14.5(D)cm
Acrylic, Gold Leaf, Hand-moulded Ceramic & European Crystals
2025
"Escape from Reality" reflects the vibrant mindset of a 27-year-old Gen Z who believes life is meant to be enjoyed. The glitter and sparkling embellishments symbolise the unlimited joy we all deserve to embrace. It is a celebration of freedom, self-expression, and living boldly, perhaps a silent voice whispering, Let’s dance, baby."
Escape from Reality
Gabriel Cheah
24(H) x 25.5(W) x 14.5(D)cm
Acrylic, Gold Leaf, Hand-moulded Ceramic & European Crystals
2025
"Escape from Reality" reflects the vibrant mindset of a 27-year-old Gen Z who believes life is meant to be enjoyed. The glitter and sparkling embellishments symbolise the unlimited joy we all deserve to embrace. It is a celebration of freedom, self-expression, and living boldly, perhaps a silent voice whispering, Let’s dance, baby."
Ocean Towers
Rafiee Ghani
120 x 100cm
Acrylic on Canvas
2025
The Morocco Series draws from his journey through the region, where he immersed himself in its colours, textures and atmosphere. Each work captures the sensory richness of Moroccan landscapes and culture, transformed through Rafiee’s unique visual language. The result is a series of dreamlike compositions that reflect both his personal encounters and the emotional essence of place.
Ocean Towers
Rafiee Ghani
120 x 100cm
Acrylic on Canvas
2025
The Morocco Series draws from his journey through the region, where he immersed himself in its colours, textures and atmosphere. Each work captures the sensory richness of Moroccan landscapes and culture, transformed through Rafiee’s unique visual language. The result is a series of dreamlike compositions that reflect both his personal encounters and the emotional essence of place.
Cocoon
NPAAW
120(H) x 100(W) x 20(D)cm (Include Box)
Acrylic, Spray Paint, Collage on Canvas
2025
Cocoon" is a statement about the possibility of showing an artwork both in progress and complete at the same time. It represents transformation, transition, and the in-between. The work challenges the conventional expectation that artworks must be finished before being exhibited. It also pushes NPAAW beyond his own artistic boundaries, departing from the usual precision and neatness found in his realistic paintings. With Cocoon on a large scale, NPAAW invites viewers to observe it with curiosity and playfulness, offering multiple perspectives and ways of seeing. It is not just a painting, but a process unfolding before your eyes.
Cocoon
NPAAW
120(H) x 100(W) x 20(D)cm (Include Box)
Acrylic, Spray Paint, Collage on Canvas
2025
Cocoon" is a statement about the possibility of showing an artwork both in progress and complete at the same time. It represents transformation, transition, and the in-between. The work challenges the conventional expectation that artworks must be finished before being exhibited. It also pushes NPAAW beyond his own artistic boundaries, departing from the usual precision and neatness found in his realistic paintings. With Cocoon on a large scale, NPAAW invites viewers to observe it with curiosity and playfulness, offering multiple perspectives and ways of seeing. It is not just a painting, but a process unfolding before your eyes.
Cocoon #13
NPAAW
120(H) x 100(W) x 20(D)cm (Include Box)
Acrylic, Spray Paint, Collage on Canvas
2025
Cocoon" is a statement about the possibility of showing an artwork both in progress and complete at the same time. It represents transformation, transition, and the in-between. The work challenges the conventional expectation that artworks must be finished before being exhibited. It also pushes NPAAW beyond his own artistic boundaries—departing from the usual precision and neatness found in his realistic paintings. With Cocoon on a large scale, NPAAW invites viewers to observe it with curiosity and playfulness, offering multiple perspectives and ways of seeing. It is not just a painting, but a process unfolding before your eyes.
Cocoon #13
NPAAW
120(H) x 100(W) x 20(D)cm (Include Box)
Acrylic, Spray Paint, Collage on Canvas
2025
Cocoon" is a statement about the possibility of showing an artwork both in progress and complete at the same time. It represents transformation, transition, and the in-between. The work challenges the conventional expectation that artworks must be finished before being exhibited. It also pushes NPAAW beyond his own artistic boundaries—departing from the usual precision and neatness found in his realistic paintings. With Cocoon on a large scale, NPAAW invites viewers to observe it with curiosity and playfulness, offering multiple perspectives and ways of seeing. It is not just a painting, but a process unfolding before your eyes.
Wave
NPAAW
120 x 100cm
Acrylic, Spray Paint on Canvas
2025
In this series of work, NPAAW explores the idea of space on space, inspired by Photoshop’s infinite grid. Using masking tape and spray paint, he layers square patterns over figures and forms. As the imagery gradually disappears beneath varied colours and sizes, the work questions visibility, presence and absence within layered illusions and infinite possibilities.
Wave
NPAAW
120 x 100cm
Acrylic, Spray Paint on Canvas
2025
In this series of work, NPAAW explores the idea of space on space, inspired by Photoshop’s infinite grid. Using masking tape and spray paint, he layers square patterns over figures and forms. As the imagery gradually disappears beneath varied colours and sizes, the work questions visibility, presence and absence within layered illusions and infinite possibilities.
UNTITLED #1 Frame Series
Palito Perak
120 x 100cm
Acrylic on Canvas
2025
Palito Perak’s artworks use soft, blurry images and simple messages to explore the gap between what we see and what is real. His style reflects feelings of hope, strength, and uncertainty, encouraging viewers to find purpose and direction in a world that often feels unclear and fast-changing.
UNTITLED #1 Frame Series
Palito Perak
120 x 100cm
Acrylic on Canvas
2025
Palito Perak’s artworks use soft, blurry images and simple messages to explore the gap between what we see and what is real. His style reflects feelings of hope, strength, and uncertainty, encouraging viewers to find purpose and direction in a world that often feels unclear and fast-changing.
Berkongsi Kedudukan
Hisyamuddin Abdullah
121.5 x 100.5cm
Acrylic on Canvas
2025
'Berkongsi Kedudukan' highlights the chair as a symbol of political power, not only as a mark of victory but also as a space where interests are negotiated and rewards distributed. The work questions whether positions of power truly reflect justice and transparency or simply continue old legacies without real change. It invites viewers to reconsider the meaning of power and success, and the hidden tensions behind political triumphs.
Berkongsi Kedudukan
Hisyamuddin Abdullah
121.5 x 100.5cm
Acrylic on Canvas
2025
'Berkongsi Kedudukan' highlights the chair as a symbol of political power, not only as a mark of victory but also as a space where interests are negotiated and rewards distributed. The work questions whether positions of power truly reflect justice and transparency or simply continue old legacies without real change. It invites viewers to reconsider the meaning of power and success, and the hidden tensions behind political triumphs.
Di Bawah Rundingan Damai
Hisyamuddin Abdullah
100.5 x 121.5cm
Acrylic on Canvas
2025
'Di Bawah Rundingan Damai' explores the paradox of global diplomacy, where hopes for peace are often manipulated for the interests of powerful nations. Two sharks represent hidden agendas beneath a calm surface, while the burning documents on the table signify failed agreements. This work invites viewers to reflect on the true meaning of negotiation, transparency, and peace within a political landscape shaped by power plays and concealed motives.
Di Bawah Rundingan Damai
Hisyamuddin Abdullah
100.5 x 121.5cm
Acrylic on Canvas
2025
'Di Bawah Rundingan Damai' explores the paradox of global diplomacy, where hopes for peace are often manipulated for the interests of powerful nations. Two sharks represent hidden agendas beneath a calm surface, while the burning documents on the table signify failed agreements. This work invites viewers to reflect on the true meaning of negotiation, transparency, and peace within a political landscape shaped by power plays and concealed motives.
Pulang
Anisa Abdullah
92 x 152.5cm
Paper Collage on Canvas
2025
Pulang means "come home" to warmth, to love, to family. It represents a connection and a return to one's roots, not just to a place but to becoming who we truly are. The layered collage technique mirrors layered memories with each torn scrap representing stories reassembled into a holistic memory of home. No matter how far we go, we always look back to where we come from, not to regret the past but to learn from it.
Pulang
Anisa Abdullah
92 x 152.5cm
Paper Collage on Canvas
2025
Pulang means "come home" to warmth, to love, to family. It represents a connection and a return to one's roots, not just to a place but to becoming who we truly are. The layered collage technique mirrors layered memories with each torn scrap representing stories reassembled into a holistic memory of home. No matter how far we go, we always look back to where we come from, not to regret the past but to learn from it.
The Heart Remains
Anisa Abdullah
122 x 153cm
Paper Collage on Canvas
2025
“The Heart Remain” Anisa Abdullah reconstructs memory through intricate paper collage, creating vibrant portraits of Malaysian life. Each scene brims with familiar flora, objects, animals, and cultural textures, yet global icons like John Lennon appear alongside them, blurring the lines between the personal and universal. In The Heart Remain, Lennon’s image becomes a symbol of emotional continuity, imagination and the borderless nature of influence. These works explore how memory, identity and belonging are shaped not only by place, but by the ideas and voices that stay with us in our homes, our histories and our hearts.
The Heart Remains
Anisa Abdullah
122 x 153cm
Paper Collage on Canvas
2025
“The Heart Remain” Anisa Abdullah reconstructs memory through intricate paper collage, creating vibrant portraits of Malaysian life. Each scene brims with familiar flora, objects, animals, and cultural textures, yet global icons like John Lennon appear alongside them, blurring the lines between the personal and universal. In The Heart Remain, Lennon’s image becomes a symbol of emotional continuity, imagination and the borderless nature of influence. These works explore how memory, identity and belonging are shaped not only by place, but by the ideas and voices that stay with us in our homes, our histories and our hearts.
Bicara Hati
Anisa Abdullah
119 x 121cm
Paper Collage on Canvas
2025
Bicara Hati explores the themes of desire and the quiet places where the heart truly belongs. At the core of this piece lies the layered collage with each layer representing memories, joy, sadness and the idea of home. It reflects the everyday struggles that shape and strengthen us. The work invites viewers into an internal dialogue between longing and acceptance, memory and the present, tradition, culture and the ongoing journey of self-discovery.
Bicara Hati
Anisa Abdullah
119 x 121cm
Paper Collage on Canvas
2025
Bicara Hati explores the themes of desire and the quiet places where the heart truly belongs. At the core of this piece lies the layered collage with each layer representing memories, joy, sadness and the idea of home. It reflects the everyday struggles that shape and strengthen us. The work invites viewers into an internal dialogue between longing and acceptance, memory and the present, tradition, culture and the ongoing journey of self-discovery.
Combination
Gan Tee Sheng
122 x 92cm
Oil on Canvas
2024
Gan Tee Sheng’s intertwined nude bodies delve into complex emotions, often presenting surreal and unsettling scenes that tap into the subconscious. Through these artwork , his art captures the rawness of human connection, intimacy and identity, encouraging viewers to engage with deeper emotional layers beneath the surface.
The interplay of body part in his work invites open-ended interpretation, where the "weird odds" of his imagery provoke thought and unsettle the viewer.
Combination
Gan Tee Sheng
122 x 92cm
Oil on Canvas
2024
Gan Tee Sheng’s intertwined nude bodies delve into complex emotions, often presenting surreal and unsettling scenes that tap into the subconscious. Through these artwork , his art captures the rawness of human connection, intimacy and identity, encouraging viewers to engage with deeper emotional layers beneath the surface.
The interplay of body part in his work invites open-ended interpretation, where the "weird odds" of his imagery provoke thought and unsettle the viewer.
Sync, Cling & Entangled
Gan Tee Sheng
65 x 45cm each (Triptych)
Oil on Canvas
2024
Cling, Sync & Entangled emerges from the artist's semi-conscious state, where the beauty of love surfaces through surreal and oddly composed forms. The artwork captures the fluid, intricate dynamics of human connection, with its unconventional composition amplifying the complexity and depth of intimacy in the artist's reflective vision.
Sync, Cling & Entangled
Gan Tee Sheng
65 x 45cm each (Triptych)
Oil on Canvas
2024
Cling, Sync & Entangled emerges from the artist's semi-conscious state, where the beauty of love surfaces through surreal and oddly composed forms. The artwork captures the fluid, intricate dynamics of human connection, with its unconventional composition amplifying the complexity and depth of intimacy in the artist's reflective vision.
Click to view Artist Profile
- GABRIEL CHEAH
- NPAAW
- PALITO PERAK