Khairudin Zainudin

Artist Statement

The phenomenon of people wanting to appear ‘extremely Malay’ refers to efforts to emphasize Malay identity through clothing, language, or religious practices. This is often seen as a way to preserve cultural and religious heritage, as well as Malay rights in a sociopolitical context. However, it can sometimes take on a satirical tone, highlighting the tendency to hold onto a narrow definition of Malay identity, which is actually more dynamic and diverse. The exaggerated size of the songkok can also be seen as a satirical commentary on those who promote ‘Malayness’ excessively for political gain.

Artist Statement

The painting delves into Kelantan’s cultural practices, illustrating how certain habits transcend ethnic boundaries and become part of the collective identity. The inclusion of the boko meludah (spitting jar) and worn-out shoes symbolizes traditional customs and resilience, reflecting behaviors observed across various communities, including the Kelantanese Chinese.

In Kelantan, the Chinese community has historically assimilated aspects of Malay culture, leading to shared practices and mutual influences. This cultural integration is evident in daily routines and social behaviors, where traditions from different ethnic groups converge.

Abdullah Munsyi’s Kisah Pelayaran Abdullah provides critical insights into the societal norms of his time, highlighting issues such as idleness and neglect of cleanliness. These observations are not confined to a single community but resonate across various groups, reflecting universal challenges in societal development.

By depicting these shared cultural practices, the artwork invites viewers to reflect on the complexities of cultural assimilation and the collective behaviors that define a civilization. It underscores the interconnectedness of communities and the shared heritage that shapes societal norms.